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She was the first guest whose session sold out. She had the royal touch, mothers lining up to get copies of her book signed for their baby daughters, in a modern version of the laying on of the hands.  She was the only guest to have an interviewer summoned from across the seas (Edinburgh Book Festival Director Nick Barley) (not sure why, actually). She had the raiment - that leather jacket!\u003Cbr \/\u003E\u003Cbr \/\u003EBut here was the thing. She didn’t want to be Queen. She was not here to represent or embody anything. She was here to share some stories about her life, from the many in her book\u0026nbsp;\u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb3083694\"\u003EMy life on the road\u003C\/a\u003E\u003C\/i\u003E. But no nostalgia!  ”There’s something about being part of a movement and being on the road that forces you to live in the present -- which is where we should live.” \u003Cbr \/\u003E\u003Cbr \/\u003ENick Barley led her through the salient points in the book. They talked about her parents, her father who treated her as an adult even when she was little “and I’m very grateful to him”, and her mother, who had been a pioneering journalist but had given up her career in those days when no one thought you could have it all, not before having been diagnosed with “anxiety neuroses”. Steinem's stories of them were, for me and I think for many readers, the most touching in the book. They split up when she was only 11.\u003Cbr \/\u003E\u003Cbr \/\u003EShe never again felt she really had a home. As soon as she was out of school she took off for India. She told herself she was attracted for the theosophy aspect (her mother was a theosophist), “but really… I was escaping”. \u003Cbr \/\u003E\u003Cbr \/\u003EIn the Indian villages she discovered \"talking circles\". People would come out of their houses in the evening and sit together around a kerosene lamp to talk about the terrible experiences they shared, trying to sort out the truth and break the cycle.\u003Cbr \/\u003E\u003Cbr \/\u003EWe got the first taste of her wicked sense of humour. She recalled that many years later the women's movement developed their own form of talking circles -- consciousness raising groups.\u003Cbr \/\u003E\u003Cbr \/\u003E\"I’m sure a lot of women here remember those, now we call them book clubs.”\u003Cbr \/\u003E\u003Cbr \/\u003EBack in the US, her time in India having helped her skive the suburban ideal she had firsthand reasons to distrust, Steinem began working in journalism. And here of course we came to her notorious turn as a Playboy bunny, somewhat misleadingly described in the Festival programme blurb as “She was famously a Playboy bunny, but one who wrote a magazine article entitled “A Bunny’s Tale”, revealing the exploitative working conditions bunnies endured”.  She was a journalist, and Show magazine assigned her to write a story about the Playboy Clubs, with the idea she would go undercover as a bunny for a couple of weeks. She wasn't enthusiastic about it, but it was “the kind of assignment I would get”-- which tells you something about the times.\u003Cbr \/\u003E\u003Cbr \/\u003EShe had thought that it might at least be somewhat glamorous, but she was being set straight on that before even being fitted for her bunny suit. At the job interview she told the woman she was a secretary, and the reply came back: “Honey, if you can type you don’t want to work here”.\u003Cbr \/\u003E\u003Cbr \/\u003EThe article, which you can and should \u003Ca href=\"http:\/\/dlib.nyu.edu\/undercover\/sites\/dlib.nyu.edu.undercover\/files\/documents\/uploads\/editors\/Show-A%20Bunny%27s%20Tale-Part%20One-May%201963.pdf\"\u003Eread online in the New York University Digital Library\u003C\/a\u003E, made her famous but, she tells us, \"It was a bad career move\". Being an ex-bunny became the thing she was most known for, despite it being her least favoured characterisation. \"At my advanced age people still introduce me as an ex-bunny. People say \"What does she know? She was a bunny\".\u003Cbr \/\u003E\u003Cbr \/\u003EBut there was some satisfaction. The gynaecological exam for aspiring bunnies which she blew the whistle on was discontinued soon after her article came out. And in her 1983 book \u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb1536357\"\u003E\u003Ci\u003EOutrageous Acts and Everyday Rebellions\u003C\/i\u003E\u003C\/a\u003E, she pointed out \"My exposé of working in a Playboy Club has outlived all the Playboy Clubs, both here and abroad.\"\u003Cbr \/\u003E\u003Cbr \/\u003ENick Barley asks a question about Ms magazine which I miss because I’m so stupefied by having heard him call it “Miss Magazine” and asking myself if this could be just an accent thing (I'm still not sure), and then asks her about the historic 1977 conference in Houston on women’s issues, 20,000 women in attendance, their delegates busy drawing up an action plan to submit to the US Congress (the conference was actually sponsored by the US Government).\u003Cbr \/\u003E\u003Cbr \/\u003EIt’s depressing of course to think how few of their planks have been achieved, and how many of those achieved are nonetheless still threatened (however, as I write this, the US Supreme Court has just blown away attempts by the state of Texas to deny women the reproductive rights the US government has ruled are theirs), but Gloria Steinem hadn’t written a book, and come here to talk to us, just to be our institutional memory, or Cassandra, or whatever.\u003Cbr \/\u003E\u003Cbr \/\u003EShe talked about the women at the conference, about the Native American women she had gotten to know there, how she had learned so many fascinating things about early Native American history from them. Because, and this is pure Gloria, “We don’t study history from when it started, we study it from when monarchy, patriotism and patriarchy and the other bullshit started”.\u003Cbr \/\u003E\u003Cbr \/\u003EAbout patriarchy, Gloria... Gloria had no hesitation. “It’s about controlling reproduction -- that’s what it’s all about”.\u003Cbr \/\u003E\u003Cbr \/\u003EThe perfect lead-in for Nick Barley to call our attention to the dedication in \u003Ci\u003EMy life on the road\u003C\/i\u003E.\u003Cbr \/\u003E\u003Cbr \/\u003E“Such a great dedication. Tell us about it.”\u003Cbr \/\u003E\u003Cbr \/\u003E“Shall I read it? I don’t want to say everyone’s read my book!” (a good Steinem laugh) and she does.\u003Cbr \/\u003E\u003Cbr \/\u003E\u0026nbsp;\u003Ci\u003EThis book is dedicated to:\u0026nbsp;\u003C\/i\u003E\u003Cbr \/\u003E\u003Ci\u003EDr. John Sharpe of London, who in 1957, a decade before physicians in England could legally perform an abortion for any reason other than the health of the woman, took the considerable risk of referring for an abortion a twenty-two-year-old American on her way to India.\u0026nbsp;\u003C\/i\u003E\u003Cbr \/\u003E\u003Ci\u003EKnowing only that she had broken an engagement at home to seek an unknown fate, he said, “You must promise me two things. First you will not tell anyone my name. Second, you will do what you want to do with your life\".\u0026nbsp;\u003C\/i\u003E\u003Cbr \/\u003E\u003Ci\u003EDear Dr. Sharpe, I believe you, who knew the law was unjust, would not mind if I say this so long after your death: I’ve done the best I could with my life. This book is for you.\u003C\/i\u003E\u003Cbr \/\u003E\u003Cbr \/\u003E\"You will do what you want to do with your life,\" muses Barley. \"Do you sometimes feel as if you’ve sacrificed your life on behalf of others?” \u003Cbr \/\u003E\u003Cbr \/\u003E“I don’t feel like that at all!” and another good laugh.\u003Cbr \/\u003E\u003Cbr \/\u003EGloria Steinem wasn't going in for any of that \"I sacrificed myself for you\" blackmail. She wasn't going in for recognition, or packaging, or ownership. (She doesn't even own a car, I learned from reading the book.)\u003Cbr \/\u003E\u003Cbr \/\u003E\"Women say to me with some alarm, 'My daughter doesn't know who you are!' But does she know who she is? \u003Ci\u003EBecause that's the whole point\u003C\/i\u003E.\"\u003Cbr \/\u003E\u003Cbr \/\u003EShe pumped for all of us filling the ASB theatre to use the occasion as an opportunity to spread the word about what we are doing and thinking. “Use the mike!” she said when Q\u0026amp;A time came around. And some people did, websites were promoted, organisations cited. But a lot of people had questions, and none were turned away.\u003Cbr \/\u003E\u003Cbr \/\u003EQ \"Where do you want us to be in fifty years?\"\u003Cbr \/\u003EA “I want it to be wherever you want it to be. I'm not here to tell you where to go -- you know things I don’t know. “\u003Cbr \/\u003E\u003Cbr \/\u003EQ Should we should talk to people who are “against feminism”?\u003Cbr \/\u003EA Well of course. “If I am fucking up I don’t want someone to hate me, I want them to tell me!”\u003Cbr \/\u003E\u003Cbr \/\u003EA woman wanted to talk about the rights of sex workers. Steinem was honest; she has a problem with legalising “sex work”, though she does not want to criminalise it. “What happened to mutuality?” Is it about cooperation or submission? She doesn't see it as just another exploitative job, as is the risk if we term it \"sex work\". In her life, she says, she's only known one woman whose choice to sell her body was truly free of coercion.\u003Cbr \/\u003E\u003Cbr \/\u003EAdvice to a 14 year old feminist, who wanted to know where to start in her school where \"nobody even knows what feminism is\": Find an instance of injustice (how do the budgets for boys and girls sports teams compare) and organise people to challenge it.\u003Cbr \/\u003E\u003Cbr \/\u003E\"Change that one unfairness and that will be feminism”.\u003Cbr \/\u003E\u003Cbr \/\u003EI saw a hopeful, funny person, the humour more pithy than came across in her book...\u003Cbr \/\u003E\u003Cbr \/\u003E\"Who are your anti-abortionists?\" No hands went up.\u003Cbr \/\u003E\"Maybe they don’t read books!\"\u003Cbr \/\u003E\u003Cbr \/\u003E... and the hope more matter-of-course.\u003Cbr \/\u003E\u003Cbr \/\u003EI’m not sure it was clear to me from the book how enjoyable a member of your, um, book group she would be, but the evening left no doubt about it.\u003Cbr \/\u003E\u003Cbr \/\u003E\u0026nbsp;She sent us out telling us to talk to other people after exiting. I took it as a sort of beau geste, but as it happened, my daughter and I, standing in the signing line with her copy of \u003Ci\u003EA life on the road \u003C\/i\u003E(the Christmas present I didn't choose for her, thinking, \u003Ci\u003EWhat will that long ago stuff mean to her?,\u0026nbsp;\u003C\/i\u003Eonly to see her choose it on her own), found ourselves next to funny smart Michele A’Court, author of \u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb2984492\"\u003EStuff I forgot to tell my daughter\u003C\/a\u003E\u0026nbsp;\u003C\/i\u003Eand it all happened just as it should.\u003Cbr \/\u003E\u003Cbr \/\u003EWhen we arrived in front of Ms Steinem, I heard my daughter say that she didn't care about having her name in the book, she preferred a message, \"whatever you would like to say to me\".\u003Cbr \/\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/3.bp.blogspot.com\/-__FNFws34Dg\/V3z-ylvRu5I\/AAAAAAAABTA\/hnVAjHRMN6AJNAhPPv3kcfGbAudAFcABwCLcB\/s1600\/Gloria%2Bdedication.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"353\" src=\"https:\/\/3.bp.blogspot.com\/-__FNFws34Dg\/V3z-ylvRu5I\/AAAAAAAABTA\/hnVAjHRMN6AJNAhPPv3kcfGbAudAFcABwCLcB\/s640\/Gloria%2Bdedication.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003Ci\u003E\u003Cbr \/\u003E\u003C\/i\u003E\u003Ci\u003E--Karen \u003C\/i\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/albooksinthecity.blogspot.com\/feeds\/5560925212703362805\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/albooksinthecity.blogspot.com\/2016\/07\/gloria-steinem-not-queen-of-auckland.html#comment-form","title":"3 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/2501884760724421053\/posts\/default\/5560925212703362805"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/2501884760724421053\/posts\/default\/5560925212703362805"},{"rel":"alternate","type":"text/html","href":"http:\/\/albooksinthecity.blogspot.com\/2016\/07\/gloria-steinem-not-queen-of-auckland.html","title":"Gloria Steinem: not the Queen of the Auckland Writers Festival"}],"author":[{"name":{"$t":"Karen Craig"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18310967522076681423"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"23","height":"32","src":"http:\/\/4.bp.blogspot.com\/-WaLn2rFYxqE\/UNvHlimMvBI\/AAAAAAAAABY\/ceYnAw1lZEk\/s220\/The%2BLibrarian.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/3.bp.blogspot.com\/-5A9_I549Ca4\/V3tRVHjmjCI\/AAAAAAAABSw\/qquI_kDeRscBMPmMDOccR3SG9UXu1plgQCLcB\/s72-c\/Gloria%2BSteinem%2BAWF.JPG","height":"72","width":"72"},"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-2501884760724421053.post-1847618235721814177"},"published":{"$t":"2016-05-17T20:38:00.000+12:00"},"updated":{"$t":"2016-05-22T16:18:30.679+12:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"#aklwritersfest"},{"scheme":"http://www.blogger.com/atom/ns#","term":"aklwritersfest"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Auckland Writers Festival"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Auckland Writers Festival 2016"},{"scheme":"http://www.blogger.com/atom/ns#","term":"AWF"},{"scheme":"http://www.blogger.com/atom/ns#","term":"AWF 2016"},{"scheme":"http://www.blogger.com/atom/ns#","term":"fiction"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Michel Faber"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Todd"}],"title":{"type":"text","$t":"Michel Faber at AWF 2016: \"Strangely Human\""},"content":{"type":"html","$t":"\u003Ci\u003ETodd from Central City Library chose Michel Faber's session, 'Strangely human'. Here's his account:\u003C\/i\u003E\u003Cbr \/\u003E\u003Cbr \/\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/3.bp.blogspot.com\/-hdCuKMFkqQQ\/VzrVGJ1TfCI\/AAAAAAAABMs\/Xox96O2fxPgozgM9emVOQmTKwfHUcCgiACLcB\/s1600\/Faber_Michel.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"200\" src=\"https:\/\/3.bp.blogspot.com\/-hdCuKMFkqQQ\/VzrVGJ1TfCI\/AAAAAAAABMs\/Xox96O2fxPgozgM9emVOQmTKwfHUcCgiACLcB\/s200\/Faber_Michel.jpg\" width=\"150\" \/\u003E\u003C\/a\u003E\u003Ca href=\"http:\/\/www.syndetics.com\/index.php?isbn=055341884X\/lc.jpg\u0026amp;client=elgar\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" src=\"http:\/\/www.syndetics.com\/index.php?isbn=055341884X\/lc.jpg\u0026amp;client=elgar\" height=\"200\" width=\"133\" \/\u003E\u003C\/a\u003E\u0026nbsp;\u003C\/div\u003E\u003Cbr \/\u003EAs I watched the irreverent author Paula Morris – here in her role as interviewer – struggle to attach the battery pack of her over-the-ear microphone to her person, I noticed that the two chairs and table that furnished the stage were positioned between two giant potted plants. Faber sat down in his chair and clasped his hands across his lap and waited for Morris who found her seat still clutching the battery pack. When she remarked that the blame for her blunder lay squarely with the one-piece dress she was wearing, I could’ve been forgiven for believing that the \u003Ca href=\"http:\/\/www.funnyordie.com\/between_two_ferns\"\u003E‘Between Two Ferns’\u003C\/a\u003E universe I’d just stepped into was quips all the way down.\u003Cbr \/\u003E\u003Cbr \/\u003EYes, the quips did come – mostly from Morris, who, at one point, went to that ANZAC place Kiwis inevitably go when they come face-to-face with an Australian (Netherlands-born Faber did a stint in The Lucky Country before moving to Scotland with his late wife Eva). I don’t recall the specifics of the jibe but something about Australia’s convict past comes to mind.\u003Cbr \/\u003E\u003Cbr \/\u003EFaber, good-natured and warm, went along with this, as he did with all of Morris’s questioning. In fact, what became quite clear to me during the hour-long interview was just how good-natured and warm Faber was. Sure, he’d written numerous well-loved books and short story collections (his first novel \u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb1020204\"\u003EUnder the Skin\u003C\/a\u003E\u003C\/i\u003E was published in 1998 and adapted for the screen in 2014) and much had been made of them (Faber’s publisher urged him to apply for British residency to be eligible for the Booker Prize pending the release of his critically-acclaimed tome \u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb1106572\"\u003EThe Crimson Petal and the White\u003C\/a\u003E\u003C\/i\u003E in 2002). But what I got from Michel Faber was much more than just his writer self; more than the author reading (quite entertainingly) from his most recent – and stated, last – novel, \u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb2864834\"\u003EThe Book of Strange New Things\u003C\/a\u003E\u003C\/i\u003E.\u003Cbr \/\u003E\u003Cbr \/\u003EWe got deep into the world of Faber: his time spent as a nurse; his attitude to religion (he’s non-religious but fascinated by what religion provides for people in times of “un-endable grief and suffering and nightmare”); insight into his marriage to Eva with anecdotes including one about Scotland’s constant cloud cover being the couple’s dream weather scenario; his pastime of composing music, and even the existential wall he hit during the Abbott era in Australia, when he questioned literature’s ability to bring about meaningful change in the world, when no one with any real power seemed to read or value reading.\u003Cbr \/\u003E\u003Cbr \/\u003EFortunately for the book lovers of the world, Michel Faber worked through this crisis of faith. He mentioned that he now believed literature’s value lay in its ability to affect the reader in modest ways like in the quiet of an afternoon. None of this sounded trite or maudlin passing Faber’s lips. Nor was it saccharine when he read three heartrending poems from his forthcoming poetry collection, \u003Ci\u003EUndying,\u003C\/i\u003E about his life with Eva just before she died from cancer in 2014, to an audience of complete strangers. I can say without a doubt that Paula Morris’s tears weren’t the only ones shed in the room. The tenderness of this final five minutes was sanctioned by everyone present – no doubt due, in big part, to the openness and affability of this former recluse named Michel Faber.\u003Cbr \/\u003E\u003Cbr \/\u003EAs the session concluded, Faber hugged Paula Morris, and I thought about how good he is at the end. About when I read the final sentence of \u003Ci\u003EThe Book of Strange New Things\u003C\/i\u003E, exactly the kind of asphyctic line that made the time spent inhabiting the world of the novel worth it – even if it was only in the quiet of an afternoon. \u003Cbr \/\u003E\u003Cbr \/\u003E--\u003Ci\u003ETodd\u003C\/i\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/albooksinthecity.blogspot.com\/feeds\/1847618235721814177\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/albooksinthecity.blogspot.com\/2016\/05\/michel-faber-at-awf-2016-strangely-human.html#comment-form","title":"2 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/2501884760724421053\/posts\/default\/1847618235721814177"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/2501884760724421053\/posts\/default\/1847618235721814177"},{"rel":"alternate","type":"text/html","href":"http:\/\/albooksinthecity.blogspot.com\/2016\/05\/michel-faber-at-awf-2016-strangely-human.html","title":"Michel Faber at AWF 2016: \"Strangely Human\""}],"author":[{"name":{"$t":"Karen Craig"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18310967522076681423"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"23","height":"32","src":"http:\/\/4.bp.blogspot.com\/-WaLn2rFYxqE\/UNvHlimMvBI\/AAAAAAAAABY\/ceYnAw1lZEk\/s220\/The%2BLibrarian.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/3.bp.blogspot.com\/-hdCuKMFkqQQ\/VzrVGJ1TfCI\/AAAAAAAABMs\/Xox96O2fxPgozgM9emVOQmTKwfHUcCgiACLcB\/s72-c\/Faber_Michel.jpg","height":"72","width":"72"},"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-2501884760724421053.post-2757229495265574214"},"published":{"$t":"2016-05-16T19:49:00.002+12:00"},"updated":{"$t":"2016-05-22T16:19:37.288+12:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"#aklwritersfest"},{"scheme":"http://www.blogger.com/atom/ns#","term":"aklwritersfest"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Auckland Writers Festival"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Auckland Writers Festival 2016"},{"scheme":"http://www.blogger.com/atom/ns#","term":"AWF"},{"scheme":"http://www.blogger.com/atom/ns#","term":"AWF 2016"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jane"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Rufin"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Santiago Pilgrimage"}],"title":{"type":"text","$t":"Jean-Christophe Rufin at AWF 2016: The Immortal Way"},"content":{"type":"html","$t":"\u003Ci\u003EOur Research Centres Manager Jane Wild went to hear Jean-Christophe Rufin, doctor, co-founder of Medecins Sans Frontières,\u0026nbsp;former ambassador, prize-winning novelist, and author,\u0026nbsp;most recently, of \u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb3166809\"\u003EThe Santiago Pilgrimage: walking the immortal way\u003C\/a\u003E, which I just discovered was subtitled in the original French \"Compostela in spite of myself\", demonstrating perhaps why we English speakers find ourselves resorting to French to express the concept of \u0026nbsp;'nuance'. But I don't want to keep you from Jane's interesting and nuanced post about the session. Here it is:\u003C\/i\u003E\u003Cbr \/\u003E\u003Cbr \/\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: center;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/3.bp.blogspot.com\/-8F5ejP0VhTQ\/Vzlyxvs_qrI\/AAAAAAAABMA\/sRWutQaImqY1qV6v3AjCopWgIrbAqZs_ACLcB\/s1600\/Copy%2Bof%2BRufin%2B-%2B%25C2%25A9%2B%25C3%2589ditions%2BGu%25C3%25A9rin%2B%25281%2529.jpg\" imageanchor=\"1\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" height=\"211\" src=\"https:\/\/3.bp.blogspot.com\/-8F5ejP0VhTQ\/Vzlyxvs_qrI\/AAAAAAAABMA\/sRWutQaImqY1qV6v3AjCopWgIrbAqZs_ACLcB\/s320\/Copy%2Bof%2BRufin%2B-%2B%25C2%25A9%2B%25C3%2589ditions%2BGu%25C3%25A9rin%2B%25281%2529.jpg\" width=\"320\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003Ec. Editions Guerin\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cdiv\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv\u003EThe capacity crowd in the ASB Theatre grew quiet to focus on two men on the stage. In conversation with Geraint Martin, Jean-Christophe Rufin outlined his personal track to enlightenment along the well-trodden Camino de Santiago. He had the full attention of the masses – many of whom will have been fellow pilgrims, and many of the others, certainly, potential pilgrims.\u003Cbr \/\u003E\u003Cbr \/\u003ERufin took his path following a stint as French Ambassador in Senegal. The lifestyle contrast would have been extreme, but I sense that Rufin possesses a natural level of enlightenment to start with. His accent is beguiling too.\u003Cbr \/\u003E\u003Cbr \/\u003EA doctor by training, Rufin explained that the Camino is a virus – “Touch it and you will be contaminated”. The preparation for the walk starts with your backpack. The larger the pack, the more anxieties you are carrying. He was clear -- he didn’t take a water bottle, he didn’t carry a journal and he kept his pack light. His memories are the thoughts which returned, unbidden, once back at home, triggered by the experience he gained.\u003Cbr \/\u003E\u003Cbr \/\u003EHere are his three stages on the way:\u003Cbr \/\u003E\u003Cbr \/\u003EStep 1 – Focus on your body and most particularly your feet. The walk requires attention to the physical. Walking eight hours a day takes its toll. Sleeping close together does too. The goal each night was to get to sleep before the snorers.\u003Cbr \/\u003E\u003Cbr \/\u003EStep 2 \u0026nbsp;-- Observe the places you see and allow this to connect you to the past. This walk has been taken since the ninth century and covers mountains, forests and cathedrals. Rufin chose the more mountainous route to avoid some of the high season's foot traffic.\u003Cbr \/\u003E\u003Cbr \/\u003EStep 3 – This occurs when you are on your way as a pilgrim and it takes you by surprise – the simplicity of being in the present and relating to others as fellow pilgrims. Questions on the route are reduced to: “Where did you start the way?” which must be followed by, “How many days?” These may be skewed by human competition – including the taxi after nightfall. \u003Cbr \/\u003E\u003Cbr \/\u003EThe arrival at the destination must be a shock.  St James in the Cathedral is where the trail ends. The lesson learned on arriving at Santiago presents another challenge. The much anticipated arrival – “It is nothing”. The learning gained – “the aim of the way is the way”. For some, this becomes a pause before starting a repeat pilgrimage. \u003Cbr \/\u003E\u003Cbr \/\u003EAnd with this the hour is up, and the lights come up for the inevitable irrelevant question before the thoughtful crowd moves on to their next event and the possibility of the book.\u003Cbr \/\u003E\u003Cdiv\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003C\/div\u003E-- \u003Ci\u003EJane \u0026nbsp;\u003C\/i\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"http:\/\/www.syndetics.com\/index.php?isbn=9780857059987\/lc.jpg\u0026amp;client=elgar\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" src=\"http:\/\/www.syndetics.com\/index.php?isbn=9780857059987\/lc.jpg\u0026amp;client=elgar\" height=\"320\" width=\"216\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/albooksinthecity.blogspot.com\/feeds\/2757229495265574214\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/albooksinthecity.blogspot.com\/2016\/05\/jean-christophe-rufin-at-awf-2016.html#comment-form","title":"1 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/2501884760724421053\/posts\/default\/2757229495265574214"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/2501884760724421053\/posts\/default\/2757229495265574214"},{"rel":"alternate","type":"text/html","href":"http:\/\/albooksinthecity.blogspot.com\/2016\/05\/jean-christophe-rufin-at-awf-2016.html","title":"Jean-Christophe Rufin at AWF 2016: The Immortal Way"}],"author":[{"name":{"$t":"Karen Craig"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18310967522076681423"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"23","height":"32","src":"http:\/\/4.bp.blogspot.com\/-WaLn2rFYxqE\/UNvHlimMvBI\/AAAAAAAAABY\/ceYnAw1lZEk\/s220\/The%2BLibrarian.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/3.bp.blogspot.com\/-8F5ejP0VhTQ\/Vzlyxvs_qrI\/AAAAAAAABMA\/sRWutQaImqY1qV6v3AjCopWgIrbAqZs_ACLcB\/s72-c\/Copy%2Bof%2BRufin%2B-%2B%25C2%25A9%2B%25C3%2589ditions%2BGu%25C3%25A9rin%2B%25281%2529.jpg","height":"72","width":"72"},"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-2501884760724421053.post-2968744797043488964"},"published":{"$t":"2016-05-16T18:40:00.002+12:00"},"updated":{"$t":"2016-05-22T16:20:09.970+12:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"#aklwritersfest"},{"scheme":"http://www.blogger.com/atom/ns#","term":"aklwritersfest"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ana"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Auckland Writers Festival"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Auckland Writers Festival 2016"},{"scheme":"http://www.blogger.com/atom/ns#","term":"AWF"},{"scheme":"http://www.blogger.com/atom/ns#","term":"AWF 2016"}],"title":{"type":"text","$t":"Herman Koch at AWF 2016: Hearts of Darkness"},"content":{"type":"html","$t":"\u003Ci\u003EAna from Readers Services remembers \"The dinner\" as one of the reads which got the most thumbs-ups from the members of the Central City Library book club -- it may even have been unanimous, though that doesn't sound like a book club worth its salt, which \"her\" book club certainly is. Here she tells us about seeing the author of \"The dinner\" live at the Writers Festival.\u003C\/i\u003E\u003Cbr \/\u003E\u003Ci\u003E\u003Cbr \/\u003E\u003C\/i\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/3.bp.blogspot.com\/-AMtIGEHR620\/VzlfVfWUVYI\/AAAAAAAABLM\/_VJGsSZ3QNUe632BdiChve9c6PkYvaqtgCLcB\/s1600\/Koch_credit%2BMark%2BKohn%252C%2BHollandse%2BHoogte.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"200\" src=\"https:\/\/3.bp.blogspot.com\/-AMtIGEHR620\/VzlfVfWUVYI\/AAAAAAAABLM\/_VJGsSZ3QNUe632BdiChve9c6PkYvaqtgCLcB\/s200\/Koch_credit%2BMark%2BKohn%252C%2BHollandse%2BHoogte.jpg\" width=\"133\" \/\u003E\u003C\/a\u003E\u003Ca href=\"http:\/\/www.syndetics.com\/index.php?isbn=9780804138819\/lc.jpg\u0026amp;client=elgar\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" src=\"http:\/\/www.syndetics.com\/index.php?isbn=9780804138819\/lc.jpg\u0026amp;client=elgar\" height=\"200\" width=\"134\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cspan style=\"font-size: xx-small;\"\u003Eauthor photo credit Mark Kohn, Hollandse Hoogte\u003C\/span\u003E\u003Cbr \/\u003E\u003Cbr \/\u003EHerman Koch came across as really nice, funny, and very natural.  From time to time we got little nuggets of information about him. He told us his wife was Spanish, and that when he was in Colombia recently, he saw his books (in Spanish) in the shop windows, and was thrilled. We also learned that he has Asperger's, like some of the protagonists of his novels.\u003Cbr \/\u003E\u003Cbr \/\u003EHis book \u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb2691318\"\u003EThe Dinner\u003C\/a\u003E\u003C\/i\u003E was introduced by session chair Stephanie Johnson as a satire, and indeed, it is a satire of bourgeois attitudes, and it is brutal.  The aspect of autism and Asperger's cropped up immediately and the novel was compared by Johnson to \u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb1193597\"\u003EWe need to talk about Kevin\u003C\/a\u003E,\u0026nbsp;\u003C\/i\u003Eas the children (but also the father) obviously lacked empathy and were, like Kevin, completely indifferent to the suffering they inflict on other people.  The children in \u003Ci\u003EThe Dinner\u003C\/i\u003E don’t take any responsibility for their actions and let their parents arrange everything for them. Furthermore, the parents are delighted to do so. \u003Cbr \/\u003E\u003Cbr \/\u003EHerman Koch didn’t really want to elaborate much on the Asperger's aspect. He thinks it is a complex issue and lends itself to misunderstandings.  However, there was quite a lot of laughter as Herman Koch confessed he had Asperger's.   Apparently he had problems when he was at school and was sent, with his parent’s consent, to a psychologist for a series of sessions.   He poured out his feelings and confessions about everything that was bothering him to the psychologist in the first session, but when he phoned for a second appointment, he found out that the psychologist had died.  \u003Cbr \/\u003E\u003Cbr \/\u003EThe discussion passed to his second book \u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb2839086\"\u003ESummer House with Swimming  Pool\u003C\/a\u003E\u003C\/i\u003E, which is even bleaker than \u003Ci\u003EThe Dinner. \u003C\/i\u003ECritics\u0026nbsp;labelled it a black comedy.  Black comedy and satire seem to be Herman Koch’s trademark.  Koch said he had a lot of fun writing it.  The doctor in the novel is repulsed by the human body and some critics are saying that the book is making fun of the medical profession.   Herman Koch says his doctor was always a bit worried about him, because he is a writer.  When Koch finished the novel and went to give him a copy as a present, the doctor told him he had already bought one and read it – he was suspicious of having made an appearance in the book and wanted to check.  \u003Cbr \/\u003E\u003Cbr \/\u003EThe setting of the novel is France, where a Dutch family have bought a house where they go to spend the holidays. The French hate the Dutch: Koch explained that when the Dutch go on holiday they take everything from home - even the potatoes and margarine, so the camping ground managers, as well as everybody else, know they won’t make any money from them. \u003Cbr \/\u003E\u003Cbr \/\u003EKoch's latest novel will be released in a few months.  It’s called \u003Ci\u003E\u003Ca href=\"http:\/\/discover.elgar.govt.nz\/iii\/encore\/record\/C__Rb3175298\"\u003EDear Mr M.\u003C\/a\u003E \u003C\/i\u003Eand guess what? Its distinctive feature is black humour.   As in his other novels, an ominous threat runs all through the book.   He describes it as “musings on writing”. Koch does not like the modern or postmodern style of writing where the author calls attention to her or himself, or to the story.  They can write well, he says, but the story is not interesting.   He goes back to 19th century writers like Flaubert, Tolstoy, and Chekhov where, he says, you are in the story.  He thinks the writer should be completely forgotten by the reader.\u003Cbr \/\u003E\u003Cbr \/\u003EI found it a bit disappointing that he didn’t elaborate very much on his novels as I would have liked to know his opinion on several passages; but he made up for this by his great sense of humour and simply by being himself.\u003Cbr \/\u003E\u003Cbr \/\u003E-- \u003Ci\u003EAna\u003C\/i\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"http:\/\/www.syndetics.com\/index.php?isbn=9781620645918\/lc.jpg\u0026amp;client=elgar\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" src=\"http:\/\/www.syndetics.com\/index.php?isbn=9781620645918\/lc.jpg\u0026amp;client=elgar\" height=\"320\" width=\"304\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/albooksinthecity.blogspot.com\/feeds\/2968744797043488964\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/albooksinthecity.blogspot.com\/2016\/05\/herman-koch-at-awf-2016-hearts-of.html#comment-form","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/2501884760724421053\/posts\/default\/2968744797043488964"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/2501884760724421053\/posts\/default\/2968744797043488964"},{"rel":"alternate","type":"text/html","href":"http:\/\/albooksinthecity.blogspot.com\/2016\/05\/herman-koch-at-awf-2016-hearts-of.html","title":"Herman Koch at AWF 2016: Hearts of Darkness"}],"author":[{"name":{"$t":"Karen Craig"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18310967522076681423"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"23","height":"32","src":"http:\/\/4.bp.blogspot.com\/-WaLn2rFYxqE\/UNvHlimMvBI\/AAAAAAAAABY\/ceYnAw1lZEk\/s220\/The%2BLibrarian.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/3.bp.blogspot.com\/-AMtIGEHR620\/VzlfVfWUVYI\/AAAAAAAABLM\/_VJGsSZ3QNUe632BdiChve9c6PkYvaqtgCLcB\/s72-c\/Koch_credit%2BMark%2BKohn%252C%2BHollandse%2BHoogte.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}}]}});